Tuesday, November 26, 2013

Comics Alternative Podcast: Interview with Vivek J. Tiwary (The Fifth Beatle)



On this episode of the Comics Alternative, Derek Royal and I interview Vivek J. Tiwary, writer of The Fifth Beatle: The Brian Epstein Story. Even during the hectic opening week of his book tour, Vivek was an enthusiastic and engaging subject, eager to talk about the impact the Epstein has had on his own life (he's is a film, television, theater, and music producer) as well as the importance of illustrators Andrew C. Robinson and Kyle Baker to this biography.

I only regret that I didn't get to ask him about his work with Bruce Springsteen. Maybe next time!

As always, click the link above to stream the episode, or you can subscribe via iTunes.

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Tuesday, July 24, 2012

CFP: Canadian Graphic Life Narratives (essay collection; October 15)

Call For Papers
Canadian Graphic Life Narratives
A collection of essays edited by
Candida Rifkind and Linda Warley

Canadian comics authors have been at the forefront of the international boom in book-length comics, particularly the forms of life writing increasingly known as "autographics" (a term coined by Gillian Whitlock and Anna Poletti). From biography to autobiography (real and fictionalized), memoir, family portrait, oral history, diary, confession, travel writing, and the sketch, over the past two decades a diverse group of Canadian cartoonists has experimented with visual and verbal forms to tell all kinds of personal life stories in sequential comics.

This volume of essays will be the first definitive collection in Canadian life writing studies that considers some of the following questions: why are Canadian cartoonists producing so many works that could be analyzed as life writing? What is the relationship between visual representation and verbal narrative? What relations are there between Canadian graphic life narratives and international texts that have garnered more popular and academic attention (eg. Spiegelman’s Maus, Satrapi’s Persepolis, Bechdel’s Fun Home)? What can studies of Canadian life writing comics tell us about larger questions, such as identity, history, nation, memory? How do life narratives intersect with or depart from other discursive constructions of Canadian "selves"? Where is the line between "real" and "fictionalized" lives?

We invite contributions on any aspect of life writing in Canadian comics. Topics may include, but are not limited to:
  • authority and authenticity
  • intergenerational narratives
  • history, memory, inheritance
  • the Bildungsroman and Kunstlerroman
  • international influences and border-crossings
  • Aboriginal and Métis graphic life writing
  • gender, sexuality, bodies
  • ethnicity, race, nationality
  • space and place
  • celebrity, fame, infamy
  • community, collective, collaborative life narratives
  • magical realism, anti-realism, surrealism, fantasy
  • life writing comics and youth cultures
  • visual experiments and innovations
  • Canadian comics publishing and print culture
Cartoonists may include, but are not limited to: Seth, Joe Matt, Chester Brown, Julie Doucet, David Collier, Guy Delisle, Michel Rabagliati, Bernice Eisenstein, Ann-Marie Fleming, Ho Che Anderson, Diane Obomsawin, Jeff Lemire, Pascal Girard, Scott Chantler, Jillian Tamaki, Michael Cho, Line Gamache, Dave Lapp, and Philippe Gerard.

Please send a 500-word proposal and a short biographical note as a Word attachment to both editors by October 15, 2012.

Completed essays of 6,000-8,000 words (MLA style) will be due on March 1, 2013.

Dr. Candida Rifkind,  University of Winnipeg, c.rifkind@uwinnipeg.ca
Dr. Linda Warley, University of Waterloo, lwarley@uwaterloo.ca

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Sunday, February 27, 2011

CFP: Society for Comic Studies (Germany) (Mar. 31; Nov. 11-12)

Gesellschaft für Comicforschung
(Society for Comic Studies – ComFor)

6th Annual Academic Conference
Comics Reporters – Documentary Comics – Comic Biographies
November 11-12, 2011 – University of Passau


Call for Papers in English (pdf):
<http://www.comicgesellschaft.de/wp-content/uploads/2011/02/CfPComFor2011_E.pdf>

Conference website (German):

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Thursday, February 24, 2011

CFP: International Conference on Comics and Graphic Novels (Madrid) (May 31; Nov. 10-11)

International Conference on Comics and Graphic Novels
“Sites of Visual and Textual Innovation”
Alcalá de Henares, Madrid
November 10th-12th, 2011

The Instituto Franklin – UAH organizes an international conference on comics and graphic novels.

The main objective of the conference is to bring together the largest number of specialists and researchers of comics (graphic novels, manga, BD, etc) in order to reflect on the study of this area.

The theme is “Sites of visual and textual innovation” and it welcomes papers on (but not limited to):
  • The origins of comics,
  • Avant-garde and experimental works
  • Biography and autobiography.
The languages of the conference will be English and Spanish.

Abstracts of approximately 250-500 words can be submitted to graphicnovel@institutofranklin.net . Deadline for acceptance: May, 31st 2011.

Conference will take place at Universidad de Alcalá in Spain.

For further information please visit: http://www.institutofranklin.net/en/congresos/congresos/congresos-futuros/1st-international-graphic-novel-conference/1st-international-g

ORGANIZED BY:
Instituto Franklin - Universidad de Alcalá

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Thursday, January 25, 2007

CFP: "Autographics" (8/15/2007)

[Thanks to new ComicsResearch & Such friend Chandra Wells, via the inestimable K.A. Laity.]

CALL FOR ARTICLES.
"Autographics": A Biography Special Issue.

The Winter 2008 Special Issue of Biography: An Interdisciplinary Quarterly will be devoted to Autographics. Guest editors Gillian Whitlock and Anna Poletti seek to explore the diverse forms of visuality and conjunctions of image, text, and materiality in contemporary life narrative. Graphic forms include visual elements such as drawings, images, and pictures, as well as elements of design and physical features of the text--for instance, the diverse use of materials in such DIY autobiographical forms as personal zines, installations, and websites. Other examples of autographics include autobiographical comix and sequential art, graphic memoir, writing on the body and body maps, self portraiture, auto/biographical uses of found objects in collage, assemblage and installation, and contemporary uses of craft.

TO SUBMIT: Manuscripts should be double spaced and ideally between 3,000 and 10,000 words. A double-blind submission policy will be followed; the author's name should not appear anywhere on the manuscript, but an accompanying cover letter should contain the author's name and address. Consultation on manuscript ideas is welcomed.

Inquiries and submissions may be sent by email to biograph@hawaii.edu, or to:
Center for Biographical Research
University of Hawai'i at Mänoa
1800 East-West Road #325
Honolulu, Hawai'i 96822 USA
(Tel./Fax 808 956-3774)
DEADLINE FOR RECEIPT OF SUBMISSIONS: 15 Aug. 2007.

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