CFP: A Comic of Her Own: Women Writing, Reading, and Embodying in Comics (UF) (Jan 15; Mar 15-17)

A Comic of Her Own:

Women Writing, Reading, and Embodying in Comics
10^th Annual UF Comics Conference

in association with ImageTexT
March 15-17, 2013

Keynote Speaker: Trina Robbins

Guest Artist: Leela Corman

Guest Artist: Megan Kelso

Trina Robbins’ A Century of Women Cartoonists responds to a comics history which often forgets women.  In the past few years, interest has grown around women working in the comics industry, perhaps best exemplified by Hillary Chute’s 2010 Graphic Women. Similarly, academia has made many inroads into comics and gender through scholarship on superheroines in mainstream comics. Mike Madrid’s 2009 The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines and Jennifer Stuller’s 2010 Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology, not to mention works by Trina Robbins and Lillian Robinson, attest to this growing interest in the representation of women in comics. However, these two scholarly fields rarely engage in meaningful dialog, despite their mutual interest: the examination of women in comics, whether behind the scenes or on the page. This conference hopes to facilitate this dialog and foster the scholarly exploration of intersections between women’s writing in comics, women represented in comics, and the women who read them. To accommodate this goal, the conference will feature a mixture of formats: keynote lectures, workshops with guest artists, Q & A sessions, panel discussions, and traditional academic conference presentations.

We encourage scholarly submissions on any one of these topics, as well as proposals for papers that explore the apparent gaps between them. Possible topics include, but are not limited to:

• Superheroines in comics—how super are they, really?
• Good Girls vs. Bad Girls in mainstream comics
• Women’s writing as autobiography
• What women want—explorations of titles that are popular with female readers
• Queer women in comics
• Girly men and manly women in comics—how is gender drawn?
• Feminist readings of mainstream comics—are women still in the refrigerator?
• Monstrous women in comics—sexed/gendered readings of monstrous, radioactive, and generally othered bodies in mainstream comics
• Female sexuality in comics—from mainstream sex goddesses to queer alternatives
• Studies of work by particular women writers and/or artists
• Challenges to the “graphic women” canon
• Girls in children's picture books and children's picture books “for girls”
• Adaptation of comics superheroines to the big screen—representational differences and challenges in media adaptation
• Women in animation—the female form in motion

Please send 250-word abstracts to imagetext@english.ufl.edu by January 15^th, 2013.

Press Release: Erotic Comics: A Graphic History (Volume 2) - From The 1970s to the Present Day

Shameless Self-Promotion Dep't: Here's a press release for the latest book I assisted on. It's pretty self-explanatory...

Erotic Comics: A Graphic History (Volume 2)
From The 1970s to the Present Day
By Tim Pilcher
(Foreword by Alan Moore)

Picking up from where the international best-selling Erotic Comics: A Graphic History (Volume 1) left off, Volume 2 reveals how European, American and Asian artists have explored the possibility of the form in the years since the explosion of the Sixties' underground comix.

Erotic Comics: A Graphic History - Volume 2 examines how the form has become an international publishing phenomenon by showcasing artwork that has inflamed desires, incensed censors, and caused controversy.

This provocative title covers everything: the erotic comics explosion in America in the mid-’80s; the gay, lesbian, bisexual and transgender comics scene; UK and European erotic comic creators since the '70s; and the Japanese hentai phenomenon. The future of erotic comics online is also explored in this fascinating and surprising volume.

In the first survey of its kind in over 20 years, Erotic Comics: A Graphic History (Volume 2) completes this fascinating two-part chronicle with previously unpublished, rare and out-of-print material, featuring insights from key artists, editors, and publishers. Fully illustrated with stunning, rare, and seldom-seen art by Howard Cruse, Gengoroh Tagame, Melinda Gebbie, Hunt Emerson, Howard Chaykin, Giovanna Casotto (whose work graces the cover), Tom of Finland, Milo Manara, Junko Mizuno, and many other top erotic cartoonists. The informative text provides a sexy, intriguing, and entertaining tour through the origins of an often-overlooked art form and comic book genre.

The book is written by Tim Pilcher, with additional research by Gene Kannenberg, Jr, and a witty and insightful foreword by Alan Moore.

What the press have said about Volume 1:

"Clearly, this very tasty-looking coffee-table book has been lovingly put together by a devotee of adult comic art... This reviewer is eagerly anticipating Volume 2... A mighty impressive package all round." - Desire magazine

"Tim Pilcher knows a thing or three about comics... the quality of this latest offering was never really in any doubt... Pilcher's book does not disappoint.… (His) extremely readable copy puts artists and sub-genres into context with a confidence borne of depth of knowledge. This is enthusiast writing at its tightest and best, and your reward for reading the words that run around the pictures will be to discover all kinds of fascinating stuff you never knew about your favourite artists... " - TheFetishistas.com

"...Well written, well researched, and a well considered fun read, with a lightness of touch that had a really neat educational tone." - John Higgins, comic artist and Watchmen colourist.

"...More than just a visual history, the book reads like a labor of love; images from pre-Depression nudie comics to modern-day Mexican sensacionales are presented along with insightful essays that make the book perfectly suitable for a coffee-table centerpiece..." - Complex Magazine: The Original Buyer's Guide for Men

"Tim Pilcher's titillating new title… certainly covers the territory." - Kempt

"Sexy? Yes. Erotic? Yes. Prurient? Well, yes. And your point? We're all adults here, and this reading material is a delight. It's art, I tell ya, it's art!" - Martin Zimmerman, SignOnSanDiego.com

About the Author:
Tim Pilcher has worked in and around the comics industry for over twenty years as a writer and editor. He is the author of Erotic Comics: A Graphic History (Volume 1), co-author of The Essential Guide to World Comics and The Complete Cartooning Course, and has contributed to numerous other publications including, Comix: The Underground Revolution, 500 Comicbook Action Heroes, The Slings and Arrows Comic Guide (1st Edition), 500 Essential Graphic Novels and the forthcoming War Comics: A Graphic History. He co-founded Les Cartoonistes Dangereux, a comic-book publishing house that released a range of original graphic novels, including the critically acclaimed White Death by Robbie Morrison and Charlie Adlard. He has worked as assistant editor at DC Comics; Vertigo imprint, and served as associate editor at Comics International, the UK's only comic book industry trade paper. He lives in Brighton, England.

Gene Kannenberg, Jr., is a respected historian of comics and the director of ComicsResearch.org, a centralized directory of comics scholarship that focuses on book-length works and monographs about comic books and strips. He is the author of 500 Essential Graphic Novels. He lives in Albany, New York.

Alan Moore is the world's most famous comic book writer and the author of seminal classics such as Watchmen, V for Vendetta, From Hell and the erotic comic masterpiece Lost Girls. He lives in Northampton, England.

Tim Pilcher is available for interviews, articles and general feedback. You can contact him on: tim.pilcher@ntlworld.com, pilcher@ilex-press.com and on +44 (0)7986 995 938. His blog, Sex, Drugs and Comic Books, is at: http://sexdrugsandcomicbooks.blogspot.com

[Stateside inquirers, please feel free also to contact Gene Kannenberg, Jr.]

If you would like to reproduce any images, or require a review copy of either book, please drop Tim a line stating what publication the review is for, and when it will appear.

Tim Pilcher will chairing an Erotic Comics Panel at the ICA in London on Sunday 23 November '08 at 4pm, along with artists Erich Von Gotha, Lynn Paula Russell, Garry Leach and Oh, Wicked Wanda! creator and writer Frederick Mullally.

Tim Pilcher will also be attending the 36th Festival International de la Bande Dessinée in Angoulême, France (29 Jan.–1 Feb. ’09) and the New York Comic Con (6-8 Feb. ’09).

Erotic Comics: A Graphic History (Volume 2) is published by Ilex Press in the UK on 8 January 2009 and by Abrams ComicArts in the USA, on 1 March 2009 (192pp Hardcover £20/$29.95)

Erotic Comics: A Graphic History (Volume 1) is published by Ilex Press in the UK, and Abrams in the USA, and is available now (192pp Hardcover £20/$29.95)

STOP PRESS… - STOP PRESS… - STOP PRESS…!

Erotic Comics: A Graphic History (Volume 1) has just been banned by Australian customs from entering the country. Customs have demanded that a special large sticker with an "M" on it MUST be placed on the cover -- indicating that the book is for "Mature Readers" -- otherwise the books will be prevented from being sold in Australia. Tim Pilcher said, "I find it ludicrous and risible that the Australian authorities need a big sticker to point out the book is for 'adults only'. Surely the word 'Erotic' in the title gives it away? Perhaps they got confused with the word 'Comics' and couldn't believe that adults read sequential literature!"

CFP: Comics Conference on Sex, Gender, and Sexuality (University of Florida, 3/21-22/2008)

Just announced, and highly recommended:

The University of Florida's College of Liberal Arts and Sciences is pleased to announce the 2008 UF Conference on Comics and Graphic Novels: "ImageSexT: Intersections of Sex, Gender, and Sexuality," which will be held in Gainesville, Florida, on March 21-22, 2008.

The sixth annual conference on comics will focus on issues of representation in the most literal sense: that of the image on the page (screen, monitor, etc.). We are interested in papers that move beyond facile reiterations of identity politics to explore the complexities and complexes of bodies and desires for artists, writers, and readers of comics. Here we are using "comics" in its broadest sense, to include animation, manga, anime, graphic novels, webcomics, political cartoons, and even some "fine art." Theoretically grounded work is preferred, but we also have an interest in archival, historical, and creative papers. The goal of this conference is to encourage interdisciplinary discussion incorporating diverse approaches to the comics representation of sex, gender, and sexuality.

Confirmed guests for this year include Phoebe Gloeckner (Diary of a Young Girl) and Gail Simone (Birds of Prey, Wonder Woman); invited guests include Jaime Hernandez (Love and Rockets).

Possible topics include but are not limited to:

• Autobiographical and authorial issues of sex and gender in comics, including issues of veiled autobiography, writing across gender lines, collaboration, and adaptation (Stuck Rubber Baby, Fun Home, The Authority, Fritz the Cat)
• Archival/historical work on depictions of the body, intercourse and identity including persistence and/or revision of stereotypes (Tijuana Bibles, Charles Atlas ads, homosexuality in early animation, Air Pirates Funnies)
• Who's drawing my body? Self- and Other-representations and culture wars (Goth comics, Superhero[ine] physiques, Dirty Plotte)
• Fans turn Pro (and vice versa): sex and gender issues at the boundary between and in the transition from fandom to professional comics (letters pages, undergrounds, fanzines, weblogs, fanfic, slash and doujinshi origins)
• Indeterminacy, including queer readings, secret identities, and the act of passing in and through comics (How Loathsome, Death Note, Black Hole, The Book of Lost Souls)
• "How ethics spoiled my pleasure": including how female fans read and enter comics, our implication in – and pleasure from – objectification, and the comic as part of a cultural circuit of capital and power (Girl-Wonder.org, Women in Refrigerators, Sequential Tart)
• The comic book fetish, including the materiality of the comic, the pleasure of reading, and "slabbing"
• The perversity of children's narratives (Strawberry Panic, Hikaru no Go, Lost Girls, Diary of a Young Girl)
• Politics and sex, including political allegory in comics, metaphors of otherness, and sex and censorship (V for Vendetta, Y the Last Man, Alias, Superfly)
• Representation and its necessary problems, from signifying male- or femaleness to figuring sex and desire, through drawings of bodies and acts, or depicting intimacy and pleasure (Diary of A Dominatrix, Clumsy, Playboy comics, [non-] explicit animation)
• International issues, including trade and censorship, translations, and taboos (scanlations, fansubbing, "official" translations, cross-cultural marketing and audiences)

Abstract submissions should be approximately 250-500 words in length. Presentations will be 15 minutes with 5 minutes of question and answer. The deadline for abstract submissions is December 1, 2007.

Image: UG Graphic Novel Conferences header, by Dylan Horrocks.