Wednesday, July 16, 2014

Comics Alternative Podcast #92: Can't We Talk about Something More Pleasant?; Interesting Drug



On this episode of The Comics Alternative, Derek Royal and I review Can't We Talk about Something More Pleasant? A Memoir by Roz Chast (Bloomsbury), and Interesting Drug by Shaun Manning and Anna Wieszczyk (Archaia). We're both mightily impressed by how Chast, a staple at The New Yorker for over thirty years, uses her signature styles (visual, thematic) to tell the difficult story of the last years of her parents' lives with humor, compassion, and honesty. However, we're less sold on Interesting Drug's science fiction tale of time travel, addiction, deception, and the lure of nostalgia. But give us a listen, read the books, and judge for yourself!

As always, click the link above to stream the episode, or you can subscribe via iTunes.

Labels: , , , , , , ,


Wednesday, June 25, 2014

Comics Alternative Podcast #89: The Amateurs; The Superannuated Man #1; Star Trek: Harlan Ellison's Original "The City on the Edge of Forever" Teleplay #1




On this episode of The Comics Alternative, Derek Royal and I review Conor Stechschulte's disturbingly moody new graphic novella The Amateurs (Fantagraphics); the first issue of Ted McKeever's inky new mini-series The Superannuated Man (Image);  and the first issue of the lengthily named and historically convoluted Star Trek: Harlan Ellison's Original "The City on the Edge of Forever" Teleplay (IDW), adapted by Scott & David Tipton and J.K. Woodward. Join us for a discussion of 19th century fever dreams, scuba vs. mutated animal intrigue, an "adaptation" of a different stripe, and lots more.

As always, click the link above to stream the episode, or you can subscribe via iTunes.

Labels: , , , , , , , , ,


Tuesday, June 03, 2014

CFP: “I Don’t Think I am Like Other People”: Anomalous Embodiment in Young Adult Speculative Fiction / essay collection (Sept 15)

This CFP doesn't mention comics, but it seems there certainly should be opportunities for comics scholarship here...

Call For Papers:
“I Don’t Think I am Like Other People”
Anomalous Embodiment in
Young Adult Speculative Fiction

Editors Sherryl Vint and Mathieu Donner are seeking submissions for a volume of essays on young adult literature entitled Anomalous Embodiment in Young Adult Speculative Fiction.

The large commercial as well as critical successes of such works as J.K. Rowling’s Harry Potter, Suzanne Collins’s The Hunger Games, Philip Pullman’s His Dark Materials or Stephanie Meyer’s Twilight series have pushed young adult fiction to the forefront of the literary world. However, and though most of these texts themselves engage in one way or another with questions related to the body, and, more precisely, to a body that refuses to conform to social norms as to what a body ‘ought to be’, few academic studies have really explored the relation that young adult fiction entertains with this adolescent ‘abnormal’ body.

In her work on corporeal feminism, Volatile Bodies, Elizabeth Grosz suggests that adolescence is not only the period during which the body itself undergoes massive transformation, shifting from childhood to adulthood, but that it is also in this period that ‘the subject feels the greatest discord between the body image and the lived body, between its psychical idealized self-image and its bodily changes’ and that therefore, the ‘philosophical desire to transcend corporeality and its urges may be dated from this period’ (Volatile Bodies 75). Following upon Grosz’s observation, this interdisciplinary collection of essays addresses the relation that young adult fiction weaves between the adolescent body and the ‘norm’, this socially constructed idealized body image which the subject perceives to be in direct conflict with her/his own experience.

This collection will thus be centred on the representation, both positive and negative, of such body or bodies. From the vampiric and lycanthropic bodies of Twilight and Teen Wolf to the ‘harvested’ bodies of Neal Shusterman’s novel Unwind, YA fiction entertains a complex relation to the adolescent body. Often singularized as ‘abnormal’, this body comes to symbolise the violence of a hegemonic and normative medical discourse which constitutes itself around an ideal of ‘normality’. However, and more than a simple condemnation or interrogation of the problematic dominant representation of the corporeal within young adult fiction, this collection also proposes to explore how such texts can present a foray into new alternative territories. As such, the collection proposes a focus on what Gilles Deleuze and Félix Guattari’s label the anomalous body, or embodiment re-articulated not necessarily as the presumption of an inside and an outside of normality, but rather as ‘a position or set of positions in relation to a multiplicity’ (A Thousand Plateaus, 244), one which interrogates and challenges the setting of such a boundary by positioning itself at the threshold of normativity.

We are particularly looking for contributions on works which either (1) interrogate, problematize the dominant discourse on normative embodiment present in YA fiction, (2) emphasize, by a play on repetition or any other means, the limitations of the traditional discourse on the ‘abnormal’ or ‘disabled’ body, and signal the inherent violence of such normative paradigms, and/or (3) propose an alternative approach to the anomalous body. Relevant topics include (but are not limited to):
  • (Re-)Articulating disability;
  • The adolescent as ‘abnormally’ embodied;
  • Transcending gender and the sexuated body;
  • Medical norms and the violence of ‘normative’ embodiment;
  • Bodies and prosthetic technologies, or the posthuman boundary;
  • Genetics, Diseases and medication, or transforming the body from the inside;
  • Cognitive readings of the body, or how do we read body difference;
  • Embodied subjectivities, anomalous/abnormal consciousness
We invite proposals (approximately 500 words) for 8’000-10’000-word chapters by Monday 15th September. Abstract submissions should be included in a Word document and sent to Sherryl Vint (sherryl.vint@ucr.edu) and Mathieu Donner (Mathieu.Donner@nottingham.ac.uk). Please remember to include name, affiliation, academic title and email address. Postgraduate and early-careers researchers are encouraged to participate.

Labels: , , , ,


Wednesday, January 29, 2014

Comics Alternative Podcast 72: Reviewing Six New Comic Book Titles



On today's episode of The Comics Alternative, Derek Royal and I review a whole passel of new comic books: Alex + Ada #1-3 (Jonathan Luna and Sarah Vaughn - Image Comics); Deadly Class #1 (Rick Remender and Wes Craig - Image Comics); Letter 44 #1-3 (Charles Soule and Alberto Jiménez Albuquerque - Oni Press); Juice Squeezers #1 (David Lapham - Dark Horse Comics); Legenderry #1 (Bill Willingham and Sergio Fernandez DaVilla - Dynamite Entertainment); and Curse #1 (Michael Moreci, Tim DanielRiley Rossmo and Colin Lorimer - BOOM! Studios). From SF to horror to urban intrigue to steampunk to bug-eyed monster bugs to the riddle of consciousness, we've got it covered. Along the way we discuss page layouts, narrative density, serialized storytelling, and why editorial matter matters.


As always, click the link above to stream the episode, or you can subscribe via iTunes.

Labels: , , , , , , ,


Wednesday, January 22, 2014

Comics Alternative Podcast 71: Reviews of Doctor Who: Prisoners of Time (Scott + David Tipton et al.) and Betty Blues (Renaud Dillies)


Click here to listen to this episode, and for show notes!

On today's episode of The Comics Alternative, Derek Royal and I review two new books: Doctor Who: Prisoners of Time, by Scott and David Tipton with art by over a dozen artists (IDW); and Betty Blues, by Renaud Dillies (from NBM ComicsLit). First we get our nerd on by talking about the 50 year-old BBC science fiction series and this book which brings together all eleven incarnations of The Doctor to date for one massive story (originally serialized in twelve issues), and then we wax rhapsodic over the lyricism and lines of Dillies' award-winning debut about two estranged lovebirds, ecology, and the power of music and art - and oh, how the art in Betty Blues shines!

As always, click the link above to stream the episode, or you can subscribe via iTunes.

Labels: , , , , , , ,


Sunday, April 21, 2013

CFP: Adapting Frankenstein / essay collection (June 30, 2013)

As posted on IAFA-L...
Adapting Frankenstein
The Monster’s Eternal Lives
in Popular Culture
 
We propose to edit a  book of new essays on the general subject of the many ways Frankenstein has been adapted in popular culture, including films, television, radio, graphic novels, comic books, newspaper cartoons, music, the stage, novels, short stories, children’s and adolescent literatures, new media, and so forth.

We are interested in what has made Frankenstein’s monster so indestructibly fascinating to the public mind through the many generations since his inception in 1818—almost 200 years ago! We are interested in essays that explore the creature’s versatile ability to appear as threatening monster or sympathetic high school loser, as Milton the Monster or Frankenweenie, as eternal outsider refined in a Tibetan monastery or as a cloned sheep. We are also interested in indirect adaptations: Edward Scissorhands, The Stepford Wives, The Golem, The Colossus of New York, Godzilla and other spawn of the atomic age, as well as zombies and the various replicants, androids, robots, and re-animations.

Paper proposals should be around 300-450 words and should reflect current inter-textual approaches in adaptation theory. They might ask such questions as how an adaptation engages its source(s), our culture, and, perhaps, other adaptations; the relevance of a particular adaptation in the context of its time and culture; the significance of the monster’s role as cultural icon or matrix figure; how an adaptation changes our view of the source text, etc. Studies on adaption such as Hutcheon, The Theory of Adaptation, Leitch, Film Adaptation and its Discontents, Perry and Sederholm, Adapting Poe: Re-Imaginings in Popular Culture, and Albrecht-Crane and Cutchins, Adaptation Studies: New Approaches provide model adaptation studies and theory along the lines we suggest. We expect that successful articles will be rigorous and scholarly, but accessible to a more general audience.

Send proposals to Professors Dennis R. Perry (dperry@byu.edu)  or Dennis Cutchins (dennis_cutchins@byu.edu) before June 30, 2013.

Labels: , , , , , ,


Sunday, November 25, 2012

CFP: Indigenous 'Deep' Space: Indigenous Absence and Presence in Sci-Fi and Comics (Dec 2; Feb 13-16)

Call for Papers:
Indigenous 'Deep' Space:
Indigenous Absence and Presence
in Sci-Fi and Comics
Native/Indigenous Studies Area
Southwest/Texas Popular & American Culture Association
nativestudiespca@gmail.com




Southwest/Texas Popular & American Culture Association's 34th Annual Conference in Albuquerque, NM

Submit abstracts to: http://conference2013.swtxpca.org/

***DEADLINE Extended to December 2, 2012***


Paper proposals are now being accepted for a panel dedicated to the absence and presence of Indigenous characters and cultures in popular sci-fi and comics. From Star Trek Voyager's Chakotay to the X-Men's Danielle Moonstar, sci-fi and comic genres have capitalized on the Indigenous landscape for characters and cultures. This panel asks presenters to examine and discuss the absence and presence of Indigenous characters and cultures in these popular genres.

Listed below are some suggestions for possible presentations but topics not included here are welcomed and encouraged:
  • Indigenous writers of sci-fi and speculative fiction genres
  • Indigenous cultures in space (issues of colonization that mirror Indigenous histories in sci-fi deep space settings)
  • Blue Corn Comics
  • Indigenous/Native American descended characters in sci-fi
  • Indigenous/Native American descended characters in comic and graphic novels
  • Specific sci-fi T.V. shows and webisodes incorporating Indigenous cultures and characters (episodes of Stargate, Angel, Buffy, Star Trek, etc.)
  • Online comics
  • History of Indigenous characters in sci-fi or comics
Inquiries regarding this area may be sent to Brian Hudson and Margaret Vaughan at *nativestudiespca@gmail.com*

Please forward this information to people who would be interested in participating.

Follow us on Facebook: www.facebook.com/nativeswtxpca and Twitter @nativeswtxpca

Labels: , , , , , , , , , ,


Saturday, November 10, 2012

CFP: 2013 Academic Conference on Canadian Science Fiction and Fantasy [Toronto, Ontario] (Feb. 15; June 7-8)

Call for Papers
2013 Academic Conference on
Canadian Science Fiction and Fantasy
Merril Collection of Science Fiction,
Speculation and Fantasy
Toronto, Ontario
June 7-8, 2013 

The 2013 Academic Conference on Canadian Science Fiction and Fantasy will be held on Friday, June 7, and Saturday, June 8, 2013, in Toronto, Ontario, at the Merril Collection of Science Fiction, Speculation and Fantasy, one of the world’s most important collections of fantastic literature.

We invite proposals for papers in any area of Canadian science fiction and fantasy, including:
  • studies of individual works and authors;
  • comparative studies;
  • studies that place works in their literary and/or cultural contexts.
Papers may be about works in any medium: literature, film, graphic novels and comic books, and so on.  For studies of the audio-visual media, preference will be given to discussions of works produced in Canada or involving substantial Canadian creative contributions.

Papers should be no more than 20 minutes long, and geared toward a general as well as academic audience.  Please submit proposals (max. 500 words), preferably via email, to:

Dr. Allan Weiss
Department of English
York University
4700 Keele St.
Toronto, ON  M3J 1P3

Deadline: February 15, 2013

Labels: , , , , , ,


Monday, September 24, 2012

CFP: Science Fiction Media (Oct. 5; Apr. 10-14)

Note the explicit suggestion of "SF Comics and Manga"...

Call for Papers
April 10-14, 2013

Riverside, CA
Science Fiction Media

This conference—cosponsored by the Eaton Collection of Science Fiction and Fantasy (UC Riverside) and the Science Fiction Research Association—will examine science fiction in multiple media. The past several decades have witnessed an explosion in SF texts across the media landscape, from film and TV to comics and digital games. We are interested in papers that explore SF as a multimedia phenomenon, whether focusing on popular mass media, such as Hollywood blockbusters, or on niche and subcultural forms of expression, such as MUDs and vidding. We invite paper and panel proposals that focus on all forms of SF, including prose fiction, and that address (but are not limited to) the following topics:

  • Mainstream Hollywood vs. Global SF Cinema
  • SF Comics and Manga
  • SF Anime and Animation
  • SF on the Internet and the World Wide Web
  • Multimedia “dispersed” SF narratives
  • Fandom, Cosplay, Mashups, and Remixing
  • Broadcast and Cable SF Television
  • SF Videogames
  • World’s Fairs, Theme Parks, and other “Material” SF Media
  • Short-form SF film
  • Afrofuturism
  • SF and/in Music
  • SF Idiom and Imagery in Advertising
  • Webisodes and TV Games
  • SF Art and Illustration
Abstracts of 500 words (for papers of 20-minutes in length) should be submitted by October 5, 2012. We also welcome panel proposals gathering three papers on a cohesive topic. 

Send electronic submissions to conference co-chair Melissa Conway at <Melissa.Conway@ucr.edu<mailto:Conway@Melissa.Conway@ucr.edu>> with the subject heading: EATON/SFRA CONFERENCE PROPOSAL. Please include a brief bio with your abstract and indicate whether your presentation would require A/V.

To insure that your proposal will receive consideration, please follow these instructions carefully:
  1. Send your proposal in a separate WORD file. Proposals pasted into e-mail windows will be returned to the sender for resubmission. The file should be saved  as follows: Last name, first initial. 2013  (e.g, Doe, J. 2013).
  2. Include your name and e-mail in the top left-hand corner of your WORD file.  The organizers need this information to correspond with you.
  3. Send your 100-word biographical statemen as a separate WORD file.  Save the file as" Doe, J. BIO."
  4. Use the subject line: Eaton/SFRA Conference Proposal. This helps the organizers to sort and search for proposals. Files without this subject line may be overlooked inadvertently.
For more information on the conference, including travel and accommodations, see http://eatonconference.ucr.edu/ 

Labels: , , , , , , , , , , , , , , , , ,


Thursday, August 30, 2012

CFP: Science Fiction Media (Sept. 14; Apr. 10-14)

Call for Papers 
The 2013 Joint Eaton/SFRA Conference
Science Fiction Media
April 10-14, 2013
Riverside Marriott Hotel
Riverside, California

This conference—cosponsored by the Eaton Collection of Science Fiction and Fantasy (UC Riverside) and the Science Fiction Research Association—will examine science fiction in multiple media. The past several decades have witnessed an explosion in SF texts across the media landscape, from film and TV to comics and digital games. We are interested in papers that explore SF as a multimedia phenomenon, whether focusing on popular mass media, such as Hollywood blockbusters, or on niche and subcultural forms of expression, such as MUDs and vidding. We invite paper and panel proposals that focus on all forms of SF, including prose fiction, and that address (but are not limited to) the following topics:

  • Mainstream Hollywood vs. Global SF Cinema
  • SF Comics and Manga
  • SF Anime and Animation
  • SF on the Internet and the World Wide Web
  • Multimedia “dispersed” SF narratives
  • Fandom, Cosplay, Mashups, and Remixing
  • Broadcast and Cable SF Television
  • SF Videogames
  • World’s Fairs, Theme Parks, and other “Material” SF Media
  • Short-form SF film
  • Afrofuturism
  • SF and/in Music
  • SF Idiom and Imagery in Advertising
  • Webisodes and TV Games
  • SF Art and Illustration 
The conference will also feature the fourth Science Fiction Studies Symposium on the topic of “SF Media(tions),” with speakers Mark Bould, Istvan Csicsery-Ronay, Jr., and Vivian Sobchack. Keynote speakers and special guests will be announced as they are confirmed; see the conference website at <http://eaton.ucr.edu> for periodic updates.

Conference sessions will be held at the newly remodeled and centrally located Riverside Marriott Hotel, with rooms at a reduced conference rate ($109). For more about the hotel, see their website at <http://www.marriott.com/hotels/ hotel-information/travel/ralmc-riverside-marriott>. A block of rooms will also be available at a discount ($139) at the historic Mission Inn Hotel and Spa two blocks from the Marriott: <http://missioninn.com>. Rooms in both hotels are limited and will be available on a first-come, first-served basis.

Abstracts of 500 words (for papers of 20-minutes in length) should be submitted by September 14, 2012. We also welcome panel proposals gathering three papers on a cohesive topic. Send electronic submissions to conference co-chair Melissa Conway at > with the subject heading: EATON/SFRA CONFERENCE PROPOSAL. Please include a brief bio with your abstract and indicate whether your presentation would require A/V. Participants will be informed by December 1 if their proposals have been accepted.

Labels: , , , , , ,


Tuesday, February 16, 2010

Call for Papers: 'Surrealism, Science Fiction, and Comic Books' (n.d.; 1/22/11)

Call for Papers:
'Surrealism, Science Fiction,
and Comic Books'

The Courtauld Institute of Art, London
22 January 2011


In his 1976 essay ‘Science Fiction and Allied Literature,’ David Ketterer wrote ‘it is rather surprising that the considerable affinity which exists between Surrealism and SF has not attracted more attention.’ This observation was repeated in 1997 by Roger Bozzetto and Arthur B. Evans, who lamented that the relations between Surrealism and science fiction ‘continue to be largely unexplored in SF scholarship,’ and that ‘there currently exists no in-depth study of SF and Surrealism.’ The points of contact and areas of overlap, along with the influences, differences, and antagonisms that lie between Surrealism, science fiction, and the related literature of the comic book will be explored in this conference to be held 22 January 2011 at The Courtauld Institute of Art, London.

Such observations take on extra force when we consider Surrealism’s historical context, along with its literary and pictorial culture. Emerging in France between the two world wars, it was well positioned to receive the writings of Jules Verne and H. G. Wells that initiated and defined the genre boundaries of early science fiction, along with the popularisation of the fourth dimension and the advent of the Theory of Relativity that such literature drew upon, whilst the writings of Alfred Jarry, Franz Kafka, and Raymond Roussel gave them a related comic, absurd, or fantastic perspective on the machine and technology. Indeed, Roussel’s boundless admiration for Verne was equalled by the similar veneration felt for Roussel by Marcel Duchamp and Roberto Matta, expressed in their art between 1912 and the 1940s. Furthermore, one of the most important figures in early French SF (and now almost forgotten), Jacques Spitz, was close to the Surrealists in the 1930s, and his books of the interwar years show a marked Surrealist tendency. In the 1940s, Matta’s work was affected more specifically by the worlds described in science fiction and also by comic books, which were a significant discovery for André Breton and the Surrealists in New York. Important to René Magritte’s art in the 1940s, comic books were also a key popular form for postwar Surrealism in Europe and America.

Because barely any scholarship exists on how far the art and writings of Surrealists in the forties and since were affected by SF and comic books, it is expected that postwar art and writings will form a significant strand of this conference (for instance, the writings of Malcolm de Chazal were described by their English translator as ‘science fictions’), as will the investigation of how the project to expand reality proposed by Surrealism in its imagery and poetry was extended by important SF writers such as Stanislaw Lem and J.G. Ballard, as well as for related novelists like Jorge Luis Borges, Alan Burns, and Thomas Pynchon.

Potential areas of exploration are:
  • Surrealism, SF, and the imagery of spiritualism
  • The comic book as a subversive accomplice of Surrealism
  • Surrealism, physics, and fiction
  • The spaces of Surrealist painting and the SF imagination
  • Legacies of Surrealism in contemporary comic books
  • The fourth dimension in Surrealism, modernism, and SF
  • Surrealist and SF geographies
  • The Gothic imagination in Surrealism, SF, and comics
  • Futurity in Surrealism and SF
  • SF and Surrealism in the postmodern novel
Paper proposals of about 250 words should be sent to gavin.parkinson@courtauld.ac.uk

Labels: , , , , , ,